My brand is very colourful and, I hope, joyful! When I design a pattern, I often think it would look just as good as a curtain, tablecloth or cushion. I like the idea of the total look applied to different surfaces and materials. During our latest collaboration with Monoprix in May, many of the prints were used on both decorative items and clothing. The range we designed was completely cross-disciplinary, and it was a delight to have so much freedom. Generally speaking, the idea of creating a more comprehensive approach has been in the back of my mind for a long time, and the brand’s in-house range is about to see the light of day. In that sense, we’ve used our apartment as a laboratory for experimenting with colours.

We’re lucky that we often agree about decoration. On a personal level, Kévin also encourages me to go all out: he knows how central colour is to my well-being. There are different inspirations in every room. The starting point for each room is the wallpapers or the colours chosen for the walls. In the dining room, we used Mues design wallpaper in a peachy pink gradient and played with touches of Pantone colours to see what would work best with this sort of pinkish hue. The result is quite bold, but the sky blue of the Tylko sideboard was perfect. Then, to avoid adding a third colour that could be too strong, we used warm mustard, orange and yellow tones to match the wallpaper. The living room was a real gamble. I wanted a meadow green wall: it’s a Pantone colour that we gave to our decorator, who found something very similar from a supplier. We wanted to use this intense green with orange. This Julie Lansom woven hanging light was our moving-in present, and it’s a real ray of sunshine!

For the children’s bedroom, we kept the large Flower Market illustrations by Astrid Wilson that were already in our previous apartment, and played around with shades of pink and green. When we moved in, there were PAX pedestals from IKEA. We chose Plum Living doors and panelling in rosemary and blush, and the decorative elements are cane and rattan or natural wood so as not to overpower the whole.

For the bedroom, we fell in love with these very chic stripes in pink and burgundy from Mues design. Everything was built around them: the double curtains in cotton gauze and corduroy from The Socialite Family. For the dressing room, we chose Plum Living in light oak with wickerwork again to add a timeless touch. It’s also a nod to our old apartment, where the wickerwork was already there in our dressing room. Finally, we played with touches of burgundy for the Studio Gaïa ceramic bedside tables, which we contrasted with the white of the large The Socialite Family pendant and the curly wool armchair that we’ve had for years.

Lighting is always a complex subject. There’s a vast range, and we wanted to find elegant pieces that we wouldn’t tire of quickly, and that would stand the test of time. We also thought the Brera’s pleated technique was magnificent.

It reminds me of the pleats we use regularly at Make My Lemonade. The Teatro and Palazzo curtains completely swept me off my feet: I’ve been a fabric lover for a long time, and the materials used in these curtains are divine. And the cherry on the cake is, they’re blackout. I’m not even going to mention the muted, intense colours, which add character and a touch of gravitas to the decor of these colourful rooms. As for the Classica leopard chair, those of you who’ve known me for a while know all about my love for a leopard pattern; it’s almost a basic for me. What’s more, I love the fact that the leopard spots are woven in jacquard rather than printed – it makes all the mismatched chairs around our table look even better!