Inspiration
Cross-over interview
Inspiration
A collaboration The Socialite Family x Thomas Lélu
On 13 April, The Socialite Family and Thomas Lélu are teaming up for a lightning
: Tasca pocket trays, T-shirts, swimming pool bags, and Como pillowcases will be adorned with the artist's hard-hitting quotes scribbled for the brand in a limited edition. Thomas Lélu and Constance Gennari, founder and artistic director of The Socialite Family, take part in a cross-over interview. And then ? Our friends came in.
Discover
and at our boutique rue Saint Fiacre, Paris 2nd.
Location
Paris
Author
Elsa Cau
Photos and videos
Thierry Lebraly
Clémence Orsini et Clément Daventure posent devant leur agence d'architecture intérieure.
Thomas Lélu pose avec le t-shirt issu de notre collaboration en version gris anthracite.
Charles Compagnon pose dans l'un de ses restaurants.
TSF
Constance, Thomas, how did you meet, and how did the idea of working together come about?
Constance
I contacted you just over a year ago because I wanted to photograph you for Socialite Family! Last winter, I invited you to our pop-up event during Maison&Objet, La Scopa.
Thomas
Yes, it came about through eating and drinking.
Constance
It was all very spontaneous!
TSF
Tell us about your practice, Thomas.
Thomas
I'm an artist. At the moment my practice, consists mainly of writing on paper with a Bic pen. But I've been working with language and text for twenty years. At first, it was mainly work on canvas and in exhibitions. And then, I don't know exactly why, but it coincided with the arrival of social networks in our lives: I switched to a biro. It took on a dimension I wasn't expecting!
TSF
Why a biro?
Thomas
It's universal! Everyone knows biros; everyone writes with them. There's something quite gentle about the way they write, and then there's a slightly awkward, imperfect side. Rough edges. Almost a bit messy. At first, I wrote in felt pen. I've been a lot more successful since I switched to ballpoints!
TSF
What's your background?
Thomas
I studied applied art and then went on to study at the Arts Décoratifs de Paris. At first, I thought I would mainly paint. My style was quite realistic, hyper-realistic, even. But at the Arts Décos, I discovered artists who had been through the school in previous generations and who had a more conceptual approach, an approach to art that was further removed from painting in general, with artists like Xavier Veillant, Philippe Parreno, Pierre Bismuth - with whom I later collaborated - and also Claude Closky, who was doing a lot of things with a biro at the time. From painting, I moved on to books, publishing, graphic design and art direction. At the end of my studies, my dissertation was entitled "le manuel de la photo ratée" (the failed photograph manual). It went on to become the book that put me on the map. After that, I published another book, Récréation. At the time, I was part of an artists' collective called Bellevue, and we loved creating work around the absurd, regression and idiocy (laughs). For example, we created a timid action film. We used to fight... without really daring to hit each other. We went air skating. A lot of anti-performance, in short! Récréation was born in this context in 2003, and enjoyed a certain amount of media success. After that, I wrote several novels, including "Je m'appelle Jeanne Mass" in 2005. I wanted to fit as much nonsense as I possibly could into a book. Well, I didn't have the profile of a novelist, so I stopped in the end.
Thomas Lélu et Constance Gennari répondent à nos questions à propos de cette nouvelle collaboration.
Nous avons rendu visite plusieurs fois à Nami Isackson chez elle. Ici posant avec le t-shirt vert kaki.
TSF
You don't seem like a writer.
Thomas
I'm an artist who makes books, and my work is linked to language, but no, I don't feel like a writer. What's more, having a father who was a literature professor and a mother who was a psychoanalyst, I grew up surrounded by books and literature, and I have a great deal of admiration for authors. I was an impostor... even if it is possible to pull off a stunt, in literature as elsewhere!
TSF
How has Instagram changed things for you?
Thomas
Thanks to Instagram, I've been experimenting with different things. Initially, it was more collages and fake adverts, which worked quite well. I've had a lot of reposts from people with a big following, like Snoop Dogg, Kourtney Kardashian and Diane Keaton.
TSF
Why in English?
Thomas
It sounds better, and it takes it all around the world!
TSF
In this collaboration, you have mainly focused on the term 'Socialite' rather than 'Family'.
Constance
The term "socialite" can have the wrong connotation or, at the very least, be misinterpreted. We decided to embrace it and have fun with it. It's a bit like its pronunciation, which varies from person to person: everyone has their own interpretation and way of saying it. Personally, I often just say "Socialite" rather than the full name. There's a real turning point for The Socialite Family at the moment: we're celebrating our tenth anniversary, and we've been hard at work on a new website. And now we've become a benchmark with our own style, it seems to me. People often say to me, "This apartment is very Socialite".
TSF
What does "Socialite" mean to you?
Constance
As far as we're concerned, it's a new generation of families, and therefore of parents, who are bringing up their children in a new way. Who have children much later, too. Who travel, and who have developed their taste in the meantime. Open-minded, dynamic...modern people.
Thomas
People with taste. Who don't follow fashion. Who express a facet of their personality! For me, it's this relationship with taste in general that's most important. The term 'socialite' seems to me to encompass our relationship with our environment and the way we dress and behave. It's a certain requirement.
Constance
Personal taste. Now that's Socialite!
TSF
How would you describe these phrases?
Thomas
The word that springs to mind is thumbing your nose. And that's the spirit behind them. It's a game, an expectation of complicity.
Constance
I also like the irony. I'm always a bit worried that we're a bit too much. In short, I don't want to take myself too seriously with this little collaboration.
The Socialite Family x Thomas Lelu, a limited edition collaboration
Tasca "It's ok not to be socialite" change tray, €80
"I used to be socialite, but I am ok now" T-shirt, available in 5 colours, €45
"It's ok to not be socialite" swimming pool bags, €65
A big thank you to our friends 'Socialite' for playing along with our photographer :
Thomas Lélu and his daughter Rose
Habib, Hammamet Fleurs, 35 rue du faubourg saint-denis, 75010
Patrick, Le Château d’Eau, 68 tue du faubourg saint-denis, 75010 Paris
Thierry, Thierry Presse, 76 rue du château d’eau, 75010 Paris
Charles Compagnon, le 52 rue du faubourg, 52 rue du faubourg saint-denis, 75010 Paris
Nami Isackson find her on Instagram
Alice et Anaïs find them on Instagram delajoie.editions
Clémence Orsini et Clément Daventure agency Orsini Daventure, 5 rue Eugène Sue, 75018 Paris